For those new to flash photography—or for anyone who has previously given up out of frustration—Speedliter’s Handbook, Second Edition, is a revelation. Follow along as photographer Syl Arena takes you on a journey that begins with an exploration of light and color, moves through a comprehensive discussion of the Canon Speedlite family and all of the accessories and equipment available to the Speedliter, and finally, explores crafting great light in one photo shoot after another. Whether you want to make a classic portrait, photograph a group, capture an important event, or create dramatic color effects in your images, Speedliter’s Handbook shows you how.
In this fully updated second edition, Syl includes all of the newest Canon gear—including the radio-enabled 600EX-RT Speedlite and ST-E3 Transmitter—to ensure that you are completely up to date on all of the components in the Speedlite system. He also includes a downloadable online supplement on the brand-new 430EX III-RT Speedlite. Plus, he covers his newest best practices and workflows so you can make the most of your Canon gear.
In this new edition, you’ll learn how to:
see the various properties of light itself, as well as the differences between how your camera sees versus how you see
use all the buttons and dials of the entire Canon Speedlite family—from the flagship 600EX-RT and the new 430EX III-RT to vintage models like the 550EX
understand the basics of on-camera flash . . . and the benefits of getting your Speedlite off the camera
beautifully balance flash with the existing ambient light
get amazing shots with just one Speedlite, all the way up to a dozen Speedlites
use the right Speedlite mode for the job: E-TTL, Manual, Multi, and more
use color gels to balance color, as well as create dramatic effects
tame the sun—or any really bright light—with high-speed sync
use Speedlites when photographing groups and events
choose your camera’s exposure settings to capture the shot that you truly want
and much, much more
Documentary filmmaking is a powerful and vital element to our society, and those who are responsible for bringing real stories and issues to a creative medium often have an uncanny ability to make a deep connection to us with their art. Legendary directors and cinematographers such as the Maysles brothers, D.A. Pennabaker & Chris Hegedus, Errol Morris, or Ken Burns have vividly made their marks in recent decades and continue to inspire those who enter the field. Inexpensive video camera equipment and video editing software have helped fuel a new wave of truth-tellers, bringing the tools of the craft within reach of amateurs and students, as well as independent journalists and filmmakers on a budget.
In The Art of the Documentary, the directors, editors, cinematographers, and producers behind today’s most thought-provoking nonfiction films reveal the thought processes, methods, and collaborations that have guided their efforts- from project conception to developing, producing, shooting, editing, and releasing some of the finest documentary films of recent decades.
This richly illustrated volume, which will appeal to professional and aspiring filmmakers, as well as documentary enthusiasts, features conversations with directors, cinematographers, editors, and producers, including Ken Burns (The Civil War, Jazz, Baseball), director/cinematographer D A Pennebaker (Dont Look Back, The War Room), director/cinematographer Albert Maysles (Gimme Shelter, Grey Gardens), director Errol Morris (The Fog of War, The Thin Blue Line), director Chris Hegedus (Startup.com, Down from the Mountain), editor Larry Silk (Pumping Iron, Wild Man Blues), cinematographer Buddy Squires (The Civil War, Ram Dass, Fierce Grace), director/producer Lauren Lazin (Tupac: Resurrection, Journey of Dr. Dre), editor/director Paula Heredia (The Vagina Monologues, In Memoriam: New York City, 9/11/01), director/cinematographer Kirsten Johnson (Fahrenheit 9/11, Innocent Until Proven Guilty), editor Geof Bartz (Lenny Bruce: Swear to Tell the Truth, He’s Having a Baby), Sheila Nevins, President of HBO Documentaries and HBO Family, Alison Bourke, executive producer for IFC, Cara Mertes, executive producer at PBS for the POV series, Frazer Pennebaker, producer. And with contributions by: Carol Dysinger, film editor and professor, NYU Film School, and Haskell Wexler, cinematographer.
A Note About the Second Edition:
In this edition of the book, we have included the original full interviews of the producers that did not appear in the first edition. Those producers include Sheila Nevins, Lauren Lazin, Alison Palmer Bourke, Cara Mertes, and Frazer Pennebaker. The interviews of the directors, cinematographers and editors have been left in tact and are included as they appeared in the first edition. The filmographies of each interviewee have been updated to include recent works.
THE DIGITAL FILMMAKING HANDBOOK, FIFTH EDITION is the one-stop resource to guide you in taking your digital film project from initial concept to finished project. Covering everything from writing and pre-production planning to shooting and post-production editing and effects, the book has been thoroughly updated to cover the latest hardware, software, and production processes. It also now includes coverage of the latest filmmaking-related apps and the shift toward digital distribution. You’ll learn the ins and outs of the craft and you’ll pick up techniques for creating shots and effects that transcend typical “low-budget” productions. Whether your goal is to create an industrial project, a short subject for a website, or a feature-length movie for a film festival, THE DIGITAL FILMMAKING HANDBOOK, FIFTH EDITION will guide you every step of the way.
Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!
The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor’s craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.
Reisz and Millar’s account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.
- Skins! We have mob costumes, city folk, town folk, and more!
- The Nether and all its inhabitants. Fight Ghasts and make friends with Pigmen
- Cross platform play for up to five players between Pocket Edition and Windows 10
- Revamped touch controls, controller support, and a controller mapping screen
- Enhanced Weather effects! Accumulating snow and more
- Ocelots! Try taming one with a fish
This start-to-finish, complete guide to Nuke will give you the foundations on the state-of-the-art visual effects software used by professionals in the film and television industries. Along with the hard-won advice and techniques from expert compositor and teacher Ron Ganbar, each chapter covers a complete lesson in the fundamentals, with step-by-step instructions included so you can easily follow along and start using the program right away. The projects used throughout the book are based on real-world examples of professional productions and project files are included with each chapter so you can work through all the examples.
After discovering how to use the tools and understanding the compositing workflow, you’ll learn about basic and advanced compositing techniques, color correction, RotoPaint, keying, and tracking, as well as more advanced topics such as CGI and the 3D engine. In addition, you’ll learn about:
• Working with nodes and process trees
• Using CGI passes in Nuke to control 3D render looks
• Camera Tracking techniques to combine 2D and 3D elements
• Camera Projection to turn a single frame into moving images
• Gizmos and all about creating your own tools in Nuke
• Stereoscopic compositing
Ron Ganbar has been a compositor since 1996 and visual effects instructor since 2001. He currently works on a variety of projects as a gun for hire as compositor, consultant, VFX supervisor, and trainer. Ron was made a “Teacher’s Trainer” by Apple for Shake in 2005 and has written, taught, and evaluated courses for the National Film and Television School, Apple, Peachpit Press, Westminster University, and others.
“As both a talented compositor (with years of in-the-trenches experience) and an excellent teacher, Ron Ganbar has the unique ability to make even the most difficult concepts crystal clear. If you want to get up and running with Nuke as quickly as possible then start by buying this book!” —Ron Brinkmann, author of The Art and Science of Digital Compositing
In the Blink of an Eye is celebrated film editor Walter Murch’s vivid, multifaceted, thought — provoking essay on film editing. Starting with what might be the most basic editing question — Why do cuts work? — Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition’s lengthy meditation on digital editing (which accounts for a third of the book’s pages) in light of the technological changes that have taken place in the six years since its publication.
The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Because editing is about more than learning a specific software program, this book focuses on the fundamentals of editing as art. Analysis of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor.
This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed, Forgetting Sarah Marshall, MIchael Clayton, and more.
The colorist is responsible for the critical final stage of refinement of the film and broadcast image. Using all of the controls modern color correction software provides, colorists refine the mood, create style, add polish to scenes, and breathe life into the visuals. The craft of color correction can take considerable trial and error to learn, while the art of color grading takes years to perfect. Alexis Van Hurkman draws on his wealth of industry experience to provide a thoroughly updated edition of what has become the standard guide to color correction. Using a friendly, clear teaching style and a slew of real-world examples and anecdotes, Alexis demonstrates how to achieve professional results for any project, using any number of dedicated grading applications, or even an editing program’s built-in color correction tools.
From the most basic methods for evaluating and correcting an overall image to the most advanced targeted corrections and creative stylizations, Color Correction Handbook, Second Edition, is your one-stop guide. Among many valuable concepts and techniques, you’ll learn to:
• Set up a professional color correction environment using the latest technologies and adhere to the most up-to-date standards
• Work with log-encoded media and LUTs
• Analyze shots quickly and correct errors of color and exposure
• Create idealized adjustments for key features such as skin tone, skies, and product shots
• Develop strategies for balancing clips in a scene to match one another for continuity, and grading greenscreen clips destined for visual effects
• Master a variety of stylistic techniques used to set a scene’s mood
• Apply principles of color and contrast to add depth and visual interest
• Browse valuable research about memory colors, audience preferences, and critical corrections for achieving appealing skin tones and controlled environments
• Follow along with the downloadable files that accompany this book, including HD footage, cross-platform exercises, and project files.
- Used Book in Good Condition
Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making.
* Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films
* Shooting with DSLRs, video, film, and digital cinema cameras
* Digital editing with the latest video editing systems
* In-depth coverage of lenses, lighting, sound recording, and mixing
* The business aspects of funding and producing your project
* Getting your movie shown in theaters, on TV, and on the Web
This second edition of Cut by Cut: Editing Your Film or Video covers the current landscape of postproduction process, taking the reader step by step through the editor’s journey from receiving dailies to delivering on film, tape, file, or disk for YouTube, cinema, Blu-ray, or TV. The book guides the filmmaker through the operation of digital editing systems, sound and music editing and the mix, and tape, tapeless, and film workflows. The middle section lasers in on how to edit the footage: Make cuts, video effects, overlaps, and cheat shots as well as how to approach different genres such as comedy, documentary, drama, and music videos. The final section takes on music and sound editing and the mix, and wraps up by describing finishing processes including online, negative cutting, and DI processes.
- Used Book in Good Condition