A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits_Star Wars, Carrie, Ferris Bueller’s Day Off, Mission: Impossible, and More

A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray.

Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars. Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.

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Cutting Rhythms: Intuitive Film Editing

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.

Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:

  • New chapters on collaboration and “editing thinking”;
  • Advice on making onscreen drafts before finalizing your story
  • Tips on how to create and sustain audience empathy and engagement;
  • Explanations of how rhythm is perceived, learned, practiced and applied in editing;
  • Updated discussions of intuition, structure and dynamics;
  • An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.

For More Information and Reviews CLICK HERE

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Category:

Cutting Rhythms: Intuitive Film Editing

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.

Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:

  • New chapters on collaboration and “editing thinking”;
  • Advice on making onscreen drafts before finalizing your story
  • Tips on how to create and sustain audience empathy and engagement;
  • Explanations of how rhythm is perceived, learned, practiced and applied in editing;
  • Updated discussions of intuition, structure and dynamics;
  • An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.

For More Information and Reviews CLICK HERE

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Category: