Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.
Transforming a PC into a Video-Editing Power-House. I thought this was a fairly straight-forward process: take my PC, pull all the guts out of the old case, put them in a new case, add some extra disks, configure a RAID array or two and call it done. The actual process ended up being much more convoluted and interesting than that. How about a RAID array with a transfer rate of 16,046.7 MB/s? That is sixteen thousand and forty-six point seven MegaBytes per second, which is sixteen GigaBytes per second. Pretty good, if I say so myself. The data transferred without the heads even moving! Computer science IS voodoo! It is amazing how bounce-back from a poor connection could convince my computer that it was writing to an array of hard-drives at a physically impossible rate. Amusing but bogus. The results when the disks rotated and the heads moved were much more mundane, but still four times the individual drive transfer rate. A faster version of this project could be built with faster hard-drives, even upgrading all drives to Seagate would be an improvement, based on test results. Ideally, one should start with: a faster processor and random access memory (RAM); a faster motherboard, with faster data buses; and faster hard-drives. I would also look for a motherboard with more SATA III (6Gb/sec) ports on board and a case that can hold more hard-drives. There are faster hard-drives and faster memory being developed. Even the hybrid SSD/SATA drive I installed in my MacBook improved performance. The future looks very good. Regardless of future possible improvements, the current state of this computer will make the author’s video-editing hobby much quicker, and more fun!
- Used Book in Good Condition
Adobe Premiere Pro for Absolute Beginners … In this bookI will show you how to create a small film project in Premiere Pro from start to finish. … You have to define the location where you want your project to be saved on your hard drive and which locations Adobe Premiere Pro will use for temporary files.
Documentary Editing offers clear and detailed strategies for tackling every stage of the documentary editing process, from organizing raw footage and building select reels to fine cutting and final export. Written by a Sundance award- winning documentary editor with a dozen features to his credit and containing examples from over 100 films, this book presents a step-by-step guide for how to turn seemingly shapeless footage into focused scenes, and how to craft a structure for a documentary of any length. The book contains insights and examples from seven of America’s top documentary editors, including Geoffrey Richman (The Cove, Sicko), Kate Amend (The Keepers, Into the Arms of Strangers), and Mary Lampson (Harlan County U.S.A.), and a companion website contains easy-to-follow video tutorials.
Written for both practitioners and enthusiasts, Documentary Editing offers unique and invaluable insights into the documentary editing process.
Creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Photoshop choose Adobe Photoshop CC Classroom in a Book (2018 release) from Adobe Press. The 15 project-based lessons show key step-by-step techniques for working in Photoshop, including how to correct, enhance, and distort digital images, create image composites, and prepare images for print and the web.
In addition to learning the essential elements of the Photoshop interface, this revised edition for the 2018 release covers features like search capabilities, Content-Aware Crop, Select and Mask, Face-Aware Liquify, designing with multiple artboards, creating and organizing enhanced brush presets, and much more!
The online companion files include all the necessary assets for readers to complete the projects featured in each chapter as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers. All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes.
- Save up to 15% when buying these two titles together.
- Creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Photoshop choose Adobe Photoshop CC Classroom in a Book (2018 release) from Adobe Press.
- The 15 project-based lessons show key step-by-step techniques for working in Photoshop, including how to correct, enhance, and distort digital images, create image composites, and prepare images for print and the web.
“No organizing project is more daunting than photographs, and no one is better equipped to walk you through the process than Cathi Nelson!” —Julie Morgenstern, New York Times Best-selling Author Our photos. They are the keepers of our most precious memories and the tellers of our most cherished stories. But in the digital age, and when free time is nonexistent, organizing your photos – the thousands stored in shoeboxes under your bed, in fading photo albums, and on your phone – is a daunting task! In Photo Organizing Made Easy: Going from Overwhelmed to Overjoyed, professional photo organizers share their eight, doable steps to help you organize, maintain, and most importantly, enjoy your photos. You’ll learn how to tackle the challenges of time and technology, have access to trusted resources when you need a helping hand, and benefit from expert advice. We are a people of stories. Taking the time to organize your photos is a priceless investment and a gift your loved ones will treasure for generations to come.
The top-selling book on Photoshop Elements—updated in a new edition
Photoshop Elements offers photo editors of all skill levels the power to turn run-of-the-mill images into beautiful works of art—and Photoshop Elements 2018 For Dummies shows you how. Those new to photo editing who are looking for advice on making the most common fixes and experienced editors in need of a road map to this version of Photoshop Elements will find great value in this book!
Start off by touring the Photoshop Elements interface with introductions to the tools that make the program so powerful. You’ll also follow simple step-by-step instructions for organizing images for editing, creating layers in your images, adjusting color and focus, applying artsy filters, adding text to an image, and so much more.
- Get simple explanations for handling image editing
- Find steps for giving your photos a digital makeover
- Discover tips for getting better photos
- Create frame-worthy pieces you’ll be proud to display
If you’re ready to take your photo editing skills to new heights, all the help you need is a page—and a click—away.
Going beyond where introductory books leave off and written for experienced editors, especially those new to Final Cut Pro X, this new and revised edition of Final Cut Pro X Beyond the Basics is brimming with cutting-edge methods to bring your editing skills to the next level. Explained in jargon-free language by a seasoned teacher and digital editor, Tom Wolsky’s text has been fully updated to address the new Final Cut Pro X 10.3 interface and changes to the software. This full-color workshop features tutorials that provide firsthand experience on the art and technique of editing at an advanced level with Final Cut Pro X, as well as in-depth information and time-saving tips that will allow you to master the application’s interface elements, tools, and nuances. Wolsky covers all the bases, including:
- Library workflows and collaboration;
- Media organization and metadata customization for different genres;
- Editing techniques for projects of various lengths and types;
- Using markers and the timeline index;
- Audio tools;
- Multicam editing;
- Audio and video effects;
- Color correction, including secondary corrections and isolated color adjustments;
- Compositing and complex animation.
An accompanying eResource features downloadable Final Cut Pro X project libraries for the tutorials discussed in the book, offering readers hands-on examples of the techniques and practices covered.